11/9/21

Looking at the Book (2015) Genesis: History, Fiction or Neither? (Part 16 of 38)

0055 Hoffmeier dwells on Genesis 6:1-4, concerning the sons of God and the daughters of men.

Literary analysis suggests that the Nephilim episode relates to Noah’s flood in the same way that the Tower of Babelrelates to Abraham’s calling.

0056 In this, both point to periods of increasing contradictions within established paradigms, the final period of a cycle… er… genre.

11/8/21

Looking at the Book (2015) Genesis: History, Fiction or Neither? (Part 17 of 38)

0057 Hoffmeier considers the story of Noah’s flood.  It has a literary structure common to Semitic civilizations.  Typically, the structure goes ABCB’A’, where B’ and A’ mirror B and A.  Noah’s flood story, ABC…P…C’B’A’, contains 16 steps. 

0058 On top of that, during the past three centuries of the Age of Ideas, archaeologists unearth cuneiform-bearing clay tablets from long-buried libraries of ancient cities.  Some of the tablets tell a flood tale almost identical to the story of Noah’s flood.

0059 What does this imply, concerning the genres in Gen 1-11?To me, this implies a deep coherence between an elite Sumerian tradition and Abraham’s ancestors.  The idea is dramatically envisioned in the masterwork, An Archaeology of the Fall.  

Gen 1-11 in an insider’s tale about the rise and the fall of Sumerian civilization.

11/5/21

Looking at the Book (2015) Genesis: History, Fiction or Neither? (Part 18 of 38)

0060 James Hoffmeier concludes, by expressing the conviction that the entire Bible, including Genesis 1-11, intend to portray real events.  Therefore, the genre of Gen 1-11 is history and theology.

0061 These comments rely on the hypothesis of the first singularity, where a change in the way humans talk, from hand-speech to speech-alone talk, constitutes a transition so fundamental that our current Lebenswelt is not the same as the Lebenswelt that we evolved in.

To me, this implies that the stories of Adam and Eve are fairy tales about the initiation and early development of our current Lebenswelt of unconstrained social complexity.

0062 The first singularity initiates cycles of failure, reorientation, paradigm implementation, and response to contradictions inherent in the established paradigm.  Each cycle expresses its own genre.  Each cycle lasts for 16 generations (that is, about 400 years).  Each cycle brings the Ubaid further into the rewards and losses of increasing social differentiation.

A similar spiraling appears in Gen 1-11.  For example, the stories of Cain and Abel are a little less dreamy than the stories of Adam and Eve.  Lamech’s attitude is way more arrogant than Cain’s.

0063 The primeval history serves a witness to the consequences of the first singularity.

In this sense, Hoffmeier is on target.  Gen 1-11 is history and theology.

11/4/21

Looking at the Book (2015) Genesis: History, Fiction or Neither? (Part 19 of 38)

0064 In chapter two, Gordon H. Wenham views Gen 1-11 as protohistory.

He starts with the genealogies.

Even though the narratives are difficult to classify as genre, the genealogies are not.

0065 Wenham proposes a thought experiment.

Clearly, the view from within, the author’s point of view, would not assign the classifier, “genre”, to portions of the text.  The classification comes from the outside, from the reader’s point of view.

So, how does the reader, on the outside, enter the thought-world of the author, on the inside?

0066 This thought experiment associates to a two-level interscope, which is discussed in A Primer on Sensible and Social Construction.

For content, in the normal-context of the author’s world3a, the Biblical text2a emerges from (and situates) the potential of ‘the insider’s witness’1a.

For situation, in the normal-context of the reader’s world3b, an interpretation of the Biblical text2b emerges from (and situates) the potential of ‘insights into the revelation of what happened’1b.

0067 Here is a picture.

11/3/21

Looking at the Book (2015) Genesis: History, Fiction or Neither? (Part 20 of 38)

0068 Where does identification of genre enter into the previous diagram?

Genre introduces perspective.

Genre may serve as an ordering principle1c.

0069 Here is a picture.

0070 If I look at the virtual nested form in the realm of possibility (the column of elements in firstness), I see this:

genre1c( insights for reader1b( Biblical witness1a))

The normal context of genre1c virtually brings insights for the reader1b into relation with the potential of Biblical witness1a.