[The unreal agape between ‘the television hero (who stands in for the elite producing the show)’ and ‘the movie victim (who stands in for the viewer, who cannot talk back to the screen, thus participates in the discourse as a victim)’ corresponds to mutual hatred of the person who is portrayed as the bad guy (a screen for projecting think^anti-group).

The ‘heroes’ save the ‘victims’.

Why?

They are filled with unreal agape, a scripted and conditional love of one’s fellow human.

Is that not a character of royalty? ]