10/10/14

Man and Sin by Piet Schoonenberg (1964) 1.6R1

Summary of text [comment] page 44

[OK, de Chardin has been vaporized and condensed into interscoping nested forms.

Unification3(ecology2(complex forms1))

Arranging, … groping3(environment2(multitude of elements1))

God bending in order to create3(creatio ex nihil2(Nothingness1))

How do they fit one another?

To me, it seems that the entire lower nested form fits neatly into the firstness of the adjacent higher level.

I also suspect that these nested forms could fold in or out like a telescope, thus encompassing different scales.]

10/8/14

Man and Sin by Piet Schoonenberg (1964) 1.6P

Summary of text [comment] page 44

OK, done. Schoonenberg’s quote of de Chardin has been fit into nested forms:

God bends Nothingness in order to create.  The very structure of Nothingness means that God can proceed in only one fashion: arranging; unifying little by little, under the attraction of His influence; groping with the interplay of great numbers, a multitude of elements, immense, effectively infinite in number, simple and hardly conscious; eventually yielding more complex forms, arriving at forms capable of reflection.

[The next blog will have a picture.  Suffice to say, the nested forms do not intersect.  They are hierarchical in a mystical sort of way.  I call this way: “interscoping”.]

10/7/14

Man and Sin by Piet Schoonenberg (1964) 1.6O

Summary of text [comment] page 44

OK, we are a little deeper, but I am not finished with the quote.  The italicized portions have already been fit into the prior nested forms:

God bends Nothingness in order to create.  The very structure of Nothingness means that God can proceed in only one fashion: arranging; unifying little by little, under the attraction of His influence; groping with the interplay of great numbers, a multitude of elements, immense, effectively infinite in number, simple and hardly conscious; eventually yielding more complex forms, arriving at forms capable of reflection.

[The normal context of the next nested form seems, to me, to be “God bending in order to create”.  The actuality or possibility is “Nothingness”.

Again, we have two options:

God bending in order to create3(blank2(Nothingness1))

God bending in order to create3(Nothingness2(blank1))

Unfortunately, it appears that I am out of extra words.

“Blank” must be either “proceed in only one fashion” or “the very structure of” or both.  These sound like actuality.

Is there some other word that has the same “spontaneous order” implications that “ecology” and “environment” have?  After all, the implications of “proceed in only one fashion” and “the very structure of” sounds like the “anthropic principle”, the incredibly fine-tuning of the fundamental constants (that permitted life to evolve).

Would the Latin term creatio ex nihil do the job?

Let me try it:

God bending in order to create3(creation ex nihil2(Nothingness1))

Or maybe

God bending in order to create3(creation ex 2(nihil1))]

10/6/14

Man and Sin by Piet Schoonenberg (1964) 1.6N

Summary of text [comment] page 44

[OK.  Try again.  The previous blog covered the words in italics.]

God bends Nothingness in order to create.  The very structure of Nothingness means that God can proceed in only one fashion: arranging; unifying little by little, under the attraction of His influence; groping with the interplay of great numbers, a multitude of elements, immense, effectively infinite in number, simple and hardly conscious; eventually yielding more complex forms, arriving at forms capable of reflection.

[With “unification”, “ecology” and “more complex forms” out of the way, what other terms or phrases can we look at?

To me, it appears that “arranging, unifying, attracting, influencing and groping” puts “a multitude of elements” into context.

Again, we face the question about permutations.

Arranging, … groping3(blank2(multitude of elements1))   or

Arranging, … groping3(multitude of elements2(blank1))

Once again, I can reach into my bag of tricks and consider how the other term, “environment” would fit in.  Of course, it would describe “actuality”, leading to:

Arranging, … groping3(environment2(multitude of elements1))

What is striking about the nested forms – so far – is that the actualities of ecology2 and environment2 are spontaneous orders.

Is there more?]

10/3/14

Man and Sin by Piet Schoonenberg (1964) 1.6M

Summary of text [comment] page 44

Allow me to repeat what de Chardin wrote:

God bends Nothingness in order to create.  The very structure of Nothingness means that God can proceed in only one fashion: arranging; unifying little by little, under the attraction of His influence; groping with the interplay of great numbers, a multitude of elements, immense, effectively infinite in number, simple and hardly conscious; eventually yielding more complex forms, arriving at forms capable of reflection.

[Now, I will try to imagine de Chardin’s points in nested frame of normal context(actuality(possibility)).

I already have one nested form:

Unity3(multiplicity2(Nothingness1))

Also, I have pointed to two descriptors “ecology” and “environment”.

Here, unity does not seem to be an end point.  So, let suggest the idea that “unification” puts one end point, “complex forms (including those forms capable of reflection)” into context.

The two ways that this can happen is:

Unification3( blank2( complex forms1)) or

Unification3(complex forms2( blank1))

How to choose?  What goes into the blank?

Let me consider the two descriptors “ecology” and “environment”. The first term seems to fit into blank2 for the first option above.

Unification3(ecology2(complex forms1))

The principle of unification contextualizes the ecology.  (Sounds Gaia, no?)

The ecology situates complex living forms.

“Unification3” brings “the ecology2” into relation with “the potential in complex living forms1“.

The ecology emerges from complex living forms.

That was not so bad.  In the next blog, I will try this again.]

10/2/14

Man and Sin by Piet Schoonenberg (1964) 1.6L2

[For de Chardin, evolutionary history reflects this nested form. “The potential of God of recognizing Himself” corresponds to the “very structure of Nothingness”.]

God starts at the beginning, with a multitude of elements, immense, effectively infinite in number, simple and hardly conscious.

These elements organize themselves, yielding complex forms.

Then de Chardin makes a gigantic jump to the present, where some of these complex forms are capable of recognizing themselves. They are capable of reflection.

[Like all good poets, de Chardin passes over what he does not quite comprehend in one gigantic jump.  He senses, but does not understand “spontaneous order”.

With that note, we can look at the nested forms in de Chardin’s poetic prose.]

10/1/14

Man and Sin by Piet Schoonenberg (1964) 1.6L1

Summary of text [comment] page 44

What did de Chardin say?

God bends Nothingness in order to create.  The very structure of Nothingness means that God can proceed in only one fashion: arranging; unifying little by little, under the attraction of His influence; groping with the interplay of great numbers, a multitude of elements, immense, effectively infinite in number, simple and hardly conscious; eventually yielding more complex forms, arriving at forms capable of reflection.

[Does that sound like a spontaneous order or what?  Tielhard described it like a poet.  But Hayek was the one who labeled it. The term, that is. “Spontaneous order”.

What does de Chardin’s poetry suggest?

The drama of evolutionary history starts with God and Nothing.  Well, maybe God and “the potential of God of recognizing Himself”.  After all, if there is only God, then how did everything get here, if everything here is not somehow the potential inherent in God?  I suppose this reflects the essence of the Latin term, “creatio ex nihil“.

What is it about things?  Things seem to belong to the category of actuality.  But to us, things are clearly not God.  This implies that actuality is not of God.

Things are not God.  Things are imbued with God.  Is that not a contradiction? How can this be?

Actuality emerges from possibility.  The realm of possibility allows contradictions.  Contradiction are permitted in the monadic realm of possibility.  So the apparent contradiction must be due to the emergence of actuality from possibility.

“God3” brings “His Own Actuality2” into relation with “the potential of God to manifest His Own Actuality1”.]

09/30/14

Man and Sin by Piet Schoonenberg (1964) 1.6K

Summary of text [comment] pages 43 and 44

[What was de Chardin trying to convey?

He wrote four generations ago.  2013 is 80 years past 1933.

He was not acquainted with Hayek’s notion of “spontaneous order”.

The “ecology” and the “environment” are spontaneous orders.

The ecology and environment are beautiful to behold.  Each appears to be a “unity” that puts “multiplicities” into context.

Is this what de Chardin envisioned?]

Schoonenberg quoted de Chardin at length.

I consider this quote in the next few blogs.]

09/29/14

Man and Sin by Piet Schoonenberg (1964) 1.6J

Summary of text [comment] pages 43 and 44

Schoonenberg noted that, according to de Chardin, “evil” arose from statistical necessity, due to the multiplicity and variety of innumerable attempts to bring “something out of Nothing”.  These attempts, even for the short span of a lifetime, means that scandals – events that shock our moral sensibilities – will occur.  But do not worry. The world is rising towards ever increasing unity.

[To me, it seems that de Chardin’s term “unity” stands in contrast to “multiplicity”.  “Unity” puts “multiplicity” into context and “multiplicity” situates “nothingness”.

In nested form: Unity3( multiplicity2( Nothingness1))

“Unity3” brings “mulitiplicity2” into relation with “the potential inherent in Nothingness1”.

Unity3 puts multiplicity2 into context.

Multiplicity2 emerges from Nothingness1.

Multiplicity2 situates Nothingness1.

Perhaps, de Chardin imagined “unity” to be “some sort of end point in the evolution of multiplicity”.

But is that not the same as a normal context?]