10/22/15

Man and Sin by Piet Schoonenberg (1964) 2.1BN

[At this point, it becomes apparent how “God Recognizing Himself” might be reflected in the idea of “humans, created in the image of God”.

This should be no surprise, because the triadic relation “God Recognizing Himself” explains creation.

Maybe, I should call the relation “God Does Through”.

“The Holy Spirit3” brings “the Father (the One Who Creatively Does) and the Son (the One Who Does Through)2” into relation with “His Omnipotence, that is, the Possibility of Action and Being1“.

Hmmm. It may not be good grammar, but it is certainly evocative.

Evocative and strange, since creation does not really appear in this relation.

In the next blog, I will continue to explore the implications of the connection between God and creation.]

10/21/15

Man and Sin by Piet Schoonenberg (1964) 2.1BM

[“Some animating principle3” must bring “I2 and myself2” into relation with “the potential of my self recognition1“.

Consequently, “I recognize myself” may constitute a refusal (to be me in the fullest) and an usurpation (that this lesser context is capable of bringing “I and myself” into mutual recognition, as if it were the same as bringing “I and myself” into existence).]

10/20/15

Man and Sin by Piet Schoonenberg (1964) 2.1BL

[I want to loop back to the image of recognition developed in the past few blogs.

This loop connects to these two ideas:

“I am the one who recognizes” parallels the Father.

“Myself is the one who is recognized” parallels the Son.

These two persons (“the one who recognizes” and “the one who is recognized”) are dyadic. They belong to Secondness. They both emerge from the monadic realm of potential. They are both brought into relation with potential by a normal context, the third element of a triadic relation.

Who is the normal context, if not the Holy Spirit? Is the animating principle a person (Me? I? You? Them? Nobody?) or an institution (Family? Tribe? Nation? Society? Television? A god among gods?)3?

The list of candidates in the parenthesis is not exhaustive, but it is suggestive.

As one moves further and further away from God, one evokes lesser and lesser powers as the normal context.]

10/19/15

Man and Sin by Piet Schoonenberg (1964) 2.1BK

Summary of text [comment] page 67

Schoonenberg wrote that “with mortal sin, the sinner ‘himself’ refuses grace. ‘He’ throws off the life of grace. Or, the sinner may usurp it, pretending that it is ‘his’ to own. Then, it slips from ‘his’ grasp.

This loss of sanctifying grace is represented as punishment. Sin itself punishes the sinner by robbing ‘him’ of the life of grace.

[Schoonenberg’s scenario sounds circular. The sinner deprives ‘himself’ of the life of grace by sinning. The sin itself robs him of the life of grace.]

10/15/15

Man and Sin by Piet Schoonenberg (1964) 2.1BI

[The sinful condition raises a question:

What do I (a sinner)2 recognize as myself2?

My own self-recognition cannot occur without a normal context.

But, will this normal context allow me to recognize myself, as “I am who I am”?

Or will I recognize myself in “the mirror of the world”?

Then I become “I am who the mirror says I am”.

Such is the nature of self-destruction.]

10/14/15

Man and Sin by Piet Schoonenberg (1964) 2.1BH

[“Recognizing God” puts “me in a situation where I can be myself”.

This is the condition for virtue.

Not recognizing God’s creativity and omnipotence puts my actuality in a position where I (the one who recognizes) cannot be myself (the one who is recognized).

This is the condition for sin.]

10/12/15

Man and Sin by Piet Schoonenberg (1964) 2.1BF

Summary of text [comment] page 67

[What is a covenant?

A covenant is a deal: If you do this, I will do that.

So far, for “the human created in the image of God”, the covenant is:

IF I2 recognize “God3 as the one1 who created me2 in His own image1“,

THEN “I2 can recognize myself2 as who I am1”.]