Man and Sin by Piet Schoonenberg (1964) 2.2 BK
[Similarly, the vast nothingness that we see in contemporary American television is supported by the dynamics of ‘I recognize myself according to some … nothingness’.
This ‘nothingness’ consists of characters, such as ‘a helpless victim terrorized by a bad one’. The televised helpless victim inspires sympathy, because the viewer is also a victim (a disempowered person who cannot talk back to the television producers).]