Man and Sin by Piet Schoonenberg (1964) 1.6AC3
[I continue my selective summary.
Everything that I said about the spontaneous orders of biology can be extended to culture.
We see cultural spontaneous orders through the lens of design.
In the nested form format, “instrumental causes and formal elements3” put “our seeing2” into context and “our seeing2” situates “the subject that we are observing1”.
Our artifacts and organizations are built according to the dictates of instrumental causes and formal elements. They are all designed.
At the same time, they belong to our cultural spontaneous orders.
How crazy is that?]